Hajime Aoyagi,
Ayaka Aoyagi (aoyagidesign)

We are suddenly thrust into the “flow” and suspended in mid-air. Instead, we treated the different parameters—the arrangement of functions, relationship with the surrounding environment, and discrepancies caused by the long designing process—as elements that coexist inside the flow, which we assumed is like “basso continuo,” In other words, we did not have a clear overall perspective. This process caused various disparities, creating inconsistencies between the openings and floor levels, and a relative scale difference imbalance between the rooms and residential equipment, which stay barely suspended in the flow.